This from Daniel Jupp

One thing you can say for the Left and the Globalists.

They take dominance of culture and forcing propaganda and The Agenda into everything very, very seriously.

The Odyssey wasn’t chosen because it’s a great story they wanted to tell.

It was chosen because it’s a foundational text of western civilisation and identity as well as of Greek civilisation and identity.

It was chosen to ‘decolonise the popular imagination’.

The film was always intended as an expensive act of desecration and cultural vandalism, with the exact same purpose as toppling statues or blowing up Buddhas like the jihadists did in Afghanistan.

It has exactly the same motivations as any other act of cultural vandalism signifying Culrural dominance and erasing or replacing the past.

Modern reality and support for it must be imposed on the great texts of the past, which must be rewritten to conform with the modern ideology.

That is why there is a feminist version of the Odyssey, and that is why that was chosen as the base text instead of any of the other more accurate translations.

That is why 250 million dollars was handed to a director who made an extremely successful movie with a very sympathetic attitude to Communism.

That is why the casting choices deliberately erase and insult white civilisation and white myth and history, sacrificing believability on the altar of diversity.

That is why the script is so appallingly and jarringly modern in tone, written in modern idiom in the language of a 12 year old with no conception that other times and places might sound different or that epic myth requires a certain type of language.

The point is to erase that other time and place, not evoke it. The point is to reduce western civilisation to a seamless and continuous NOW, a now where Marxist lessons and critical race hierarchy dominates everything and where the connections between the Western audience and their own past are mocked and recast as propaganda pieces for the globalist cause.

And that is why there is such a uniform and massive media campaign to gaslight us all on the quality of this propaganda piece and get us to watch it.

Cultural artefacts, both classical culture and popular culture, are for these people tools of dominance, opportunities to enforce The Agenda and train viewers to think the same way.

There is no aesthetic intent. There isn’t an entertainment intent. And there isn’t even a profit intent. It doesn’t necessarily even matter to them if anyone is persuaded.

What matters most is that you are forced to live within their message, with their message assailing your eyes, and that you should know that nothing you hold sacred is immune to their distortion and control

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